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Face

One Square Foot of Skin

ebook
0 of 1 copy available
0 of 1 copy available

Writer/director/producer Justine Bateman examines the aggressive ways that society reacts to the aging of women's faces.

"Face . . . is filled with fictional vignettes that examine real-life societal attitudes and internal fears that have caused a negative perspective on women's faces as they age." —TODAY, a Best Book of 2021

"There is nothing wrong with your face. At least, that's what Justine Bateman wants you to realize. Her new book, Face: One Square Foot of Skin, is a collection of fictional short stories told from the perspectives of women of all ages and professions; with it, she aims to correct the popular idea that you need to stop what you're doing and start staving off any signs of aging in the face." —W Magazine

"Combining the author's intensely personal stories with relevant examples from the culture at large, the book is heartbreaking and hopeful, infuriating and triumphant." —Kirkus Reviews, Starred Review

Face is a book of fictional vignettes that examines the fear and vestigial evolutionary habits that have caused women and men to cultivate the imagined reality that older women's faces are unattractive, undesirable, and something to be "fixed."

Based on "older face" experiences of the author, Justine Bateman, and those of dozens of women and men she interviewed, the book presents the reader with the many root causes for society's often negative attitudes toward women's older faces. In doing so, Bateman rejects those ingrained assumptions about the necessity of fixing older women's faces, suggesting that we move on from judging someone's worth based on the condition of her face.

With impassioned prose and a laser-sharp eye, Bateman argues that a woman's confidence should grow as she ages, not be destroyed by society's misled attitude about that one square foot of skin.
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    • Booklist

      March 1, 2021
      Actress, writer, director, and producer Bateman (Fame: The Hijacking of Reality, 2018) defends "old broads" as she tours the front lines of the world's smallest battlefield--a woman's face. In 47 short narratives, Bateman reports on her experiences and insights as she chooses to let her face age naturally and adds stories based on interviews with many others across a range of ages and industries who, though bearing fictionalized names, represent true emotions and events. Reading this may feel like coming upon a roadside accident. You don't want to gawk, but you can't take your eyes away. You may even recognize your story. Both protest and paean, Bateman's chronicle advocates for a power shift away from buying into the incessant selling of cosmetic perfection and toward the recognition that a woman's unaltered face is a record of earned intelligence, wisdom, and confidence. Bateman issues a call to invert the age-old paradigm, stop stoking shame about signs of growing older, and name the ultimate accessory that is powerfully individual to each woman, an aging face that has faced life.

      COPYRIGHT(2021) Booklist, ALL RIGHTS RESERVED.

    • Kirkus

      Starred review from February 15, 2021
      An in-depth examination of "why we should ever find an older face 'horrible' to begin with...and feel compelled to 'fix' it." In Fame (2018), Bateman deconstructed the flimsy edifice of celebrity. In this equally fiery and potent follow-up, she does the same for our notions of what constitutes a beautiful face. "When I was a smooth-skinned and plump-faced teenager," she writes at the beginning of the book, "I really wanted to look like the older European actresses I saw in the Italian and French films of the 1960s and '70s." Examining her own experiences with how society viewed her as she moved from child actor to adult, she recounts how her pride and self-esteem faltered when she received public backlash about her appearance. She describes the book as "by no means an exhaustive exploration of "older women's faces" in our current society, but rather a series of snapshots that focus on the reasons for the negative attitudes regarding those faces." Instead, the book is a series of "47 short stories in which I have incorporated my experiences and feelings on the topic, and those of about 25 people I interviewed." Occasionally disjointed, the narrative is most impressive in the aggregate, as women at all stages of life acknowledge and sometimes transcend societal views about women's faces. By exploring the issue via multiple points of view, Bateman is able to show "many of the reasons for the negative attitudes regarding those faces" as well as the hypocrisy and double standards involved in such attitudes, especially in contrast with how aging men are often considered. Combining the author's intensely personal stories with relevant examples from the culture at large, the book is heartbreaking and hopeful, infuriating and triumphant. An engrossing look at an issue that continues to be problematic for millions of women every day.

      COPYRIGHT(2021) Kirkus Reviews, ALL RIGHTS RESERVED.

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  • English

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