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Starred review from July 5, 2004
Sedaris (Me Talk Pretty One Day
, etc.) perfects his written essays by going on the road and reading them aloud, so it's no surprise that his new collection is even more hilarious and haunting as an audiobook. All 22 of the book's essays are here, and it's a treasury of riches matched by Sedaris's slightly nasal but enthralling delivery. Sedaris's material has always walked a razor's edge between hilarious and heartbreaking, and never more so than here. Although Sedaris pokes fun at his family, he mixes the laughs with empathy. When he tries to make sense out of his sister's squalid living conditions in "Put a Lid on It," his deadpan descriptions and hyper reactions are hysterically funny, but it's clear that his sister is a complex person, not just a punch line. Likewise, his late mother, previously seen as a chain-smoking, tart-talking dame, gains more depth in the downright spooky "The Girl Next Store." In "The End of the Affair," he and boyfriend Hugh disagree over a romantic movie and he concludes, "Real love amounts to withholding the truth, even when you're offered the perfect opportunity to hurt someone's feelings." Still, Sedaris hasn't lost his irreverence; in "Possession," he tours Anne Frank's annex and imagines how he'd redecorate it. Simultaneous release with Little, Brown hardcover (Forecasts, May 24).
Starred review from May 24, 2004
In his latest collection, Sedaris has found his heart. This is not to suggest that the author of Me Talk Pretty One Day
and other bestselling books has lost his edge. The 27 essays here (many previously published in Esquire
, G.Q
. or the New Yorker
, or broadcast on NPR's This American Life
) include his best and funniest writing yet. Here is Sedaris's family in all its odd glory. Here is his father dragging his mortified son over to the home of one of the most popular boys in school, a boy possessed of "an uncanny ability to please people," demanding that the boy's parents pay for the root canal that Sedaris underwent after the boy hit him in the mouth with a rock. Here is his oldest sister, Lisa, imploring him to keep her beloved Amazon parrot out of a proposed movie based on his writing. (" 'Will I have to be fat in the movie?' she asked.") Here is his mother, his muse, locking the kids out of the house after one snow day too many, playing the wry, brilliant commentator on his life until her untimely death from cancer. His mother emerges as one of the most poignant and original female characters in contemporary literature. She balances bitter and sweet, tart and rich—and so does Sedaris, because this is what life is like. "You should look at yourself," his mother says in one piece, as young Sedaris crams Halloween candy into his mouth rather than share it. He does what she says and then some, and what emerges is the deepest kind of humor, the human comedy. Author tour.
Starred review from June 15, 2004
"My writing is just a desperate attempt to get laughs. If you get anything else out of it, it's an accident," claims author and playwright Sedaris. That may be, but one can't help but notice that this collection of essays about his childhood, his first major collection in four years, features a "kinder, gentler" Sedaris ("The End of the Affair" is an especially touching tribute to his partner Hugh). But make no mistake; Sedaris is still the master of the well-delivered scathing punch line-even if it is directed at himself. Fans of his previous work will find that this collection contains much of the snappy (and sometimes snippy) writing that has become his trademark. He is particularly skilled at creating grossly unflattering yet affectionate portraits of family members, as when Sedaris's brother presses the rewind button during the video of his daughter's first bowel movement. With Me Talk Pretty optioned for film treatment, Sedaris's star will only continue to rise. And he will undoubtedly have something both poignant and side-splitting to say about that as well. Highly recommended. [Previewed in Prepub Alert, LJ 2/1/04.]-Robin Imhof, Univ. of the Pacific Lib., Stockton, CA
Copyright 2004 Library Journal, LLC Used with permission.
January 1, 2005
Adult/High School -This lighthearted follow-up to "Me Talk Pretty One Day"(Little, Brown, 2000) contains a selection of personal essays. Some of the pieces appeared previously in magazines or on the NPR radio program "This American Life". The first half of the collection focuses on Sedaris's childhood, including his relationship with his supportive mother and "man's man" of a father. Family vacations, snow days from school, and parental conflicts are all rendered in a comic style. Several of the pieces highlight the author's growing up with the knowledge that he is gay. He writes about the mixture of feelings he experienced in a real but funny manner. The second half moves Sedaris into adulthood. Although still dealing chiefly with his family, the focus shifts to his brother and sisters. From Tiffany, who collects and sells junk right from her house, to macho, floor-sanding Paul, Sedaris sets up a family dynamic that's sometimes odd, sometimes sad, but always funny. A handful of pieces include or refer to his life partner, Hugh. Whether it's apartment searching in "Possession" or the clash of personalities in "A Can of Worms," it's refreshing to see a writer portray a gay relationship that's committed and monogamous. Although not as unified as his other books, this collection serves as a touching reminder of how odd, funny, and unique our lives really are." -Matthew L. Moffett, Northern Virginia Community College, Annandale"
Copyright 2005 School Library Journal, LLC Used with permission.
May 1, 2004
Sedaris' piquant essays are as meticulously honed and precisely timed as the best stand-up comic routines, which is, of course, what they are. A National Public Radio star, the author of five best-sellers, including " Me Talk Pretty One Day" (2000)" ," and a hall-filling performer," "Sedaris--openly gay, nervy as a tightrope walker, sharply hilarious, teasingly misanthropic yet genuinely compassionate--has a unique ability to supply exactly the right details to bring every funny, awkward, ludicrous, painful, horrible real-life moment into harrowingly crisp focus. But given all that he has already revealed about his childhood, family, and bizarre adventures, one wonders how he can continue to mine his life to create fresh and arresting essays, and, indeed, a few pieces do feel strained. It stretches one's credulity, for instance, to envision young Sedaris panhandling or taking erotic advantage of a strip poker game. But when he muses over his parents' "slumlord" phase, remembers a rich aunt and a neglected nine-year-old girl, and profiles his over-the-top brother, he is mesmerizing, and his ability to make the reader gasp, laugh out loud, or grow teary is undiminished. At the same time, there's an increased edginess to his work, reminding readers that beneath the brio, Sedaris, gifted connoisseur of the absurd, is deadly serious.(Reprinted with permission of Booklist, copyright 2004, American Library Association.)
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